Not Simply Connected

"...her sculptures... depict tricks and balancing acts, while arguing for the possible sexual connotation of everything. Structurally her work is like a history of sculpture from Bernini to Duchamp to Richard Prince; she uses modeling and moldmaking to make improbable conglomerations of everyday looking objects and sometimes 'tells' some pointed dirty puns. Friedman describes how illusion is a magic act of supreme tenuousness, maybe formed of some not so nice parts." — Josiah McElheny